Hamilton
the musical combines
two revolutions of different generations. One is the American revolution for
independence, while the other is the musical revolution of hip-hop on Broadway.
The American revolution is the history of our country; a country of immigrants
fighting for freedom from an oppressive British king. Therefore, Lin-Manuel
Miranda makes an innovative decision to tell this story with a music genre that
always expressed a desire for freedom from suppression: hip-hop and rap. Oddly
enough, this untraditional mode of music proves a very effective way to express
the great yearning of our country to be free and independent.
The founding fathers fought to
create a new democratic country; thus, Miranda recounts this history through a
new type of Broadway musical. With the emergence of rock and roll, theater
needed to adapt to include this new genre. Now, this mode of music is integral
to many plays. Similarly, hip-hop and rap have taken root as the music of the
new generation. Therefore, the preceding effects would be to incorporate them
into Broadway and legitimize them as real and artful musical genres. The plot
of Hamilton recalls the foundations
of America, meanwhile the music in the play “is laced with these shout-outs to
the traditions that birthed it” (94). The founders and listeners of hip-hop
come from a diverse background, so these shout-outs to the 90s rappers display
that “history can be told and retold, claimed and reclaimed, even by people who
don’t look like George Washington and Betsy Ross” (95). By retelling the history
through modern music, Miranda makes Hamilton a relatable figure. He
personalizes a figure, who in textbooks seems abstract and far away from today’s
generation.
Furthermore, the race of the actors
playing Hamilton and the other figures proves unimportant, for the performance
is “independent of time, where people of many races and backgrounds dance
together” (40). The play is set in 1776, but performed in 2015. These time
periods differ greatly from each other. Miranda seeks to recount history
accurately but with a modern voice. The actors most able to perform his songs
happen to be black and Latino, which technically is a historical inaccuracy
given that the founding fathers were white. Nevertheless, Tommy succinctly
justifies the inaccuracy explaining, “This is a story about America then, told
by America now” (33). Miranda did not create this play to criticize America’s
misdeeds or lack of diversity. Rather, he reconnects the present with the past
with a play that “combined tradition and innovation so seamlessly” (174). The
past greatly impacted our world today; therefore, it is important to recognize
the connection between the two. This play does not gloss over Hamilton’s
mistakes nor diminish his accomplishments. Instead, Miranda illustrates a
historical figure to a modern audience in an identifiable way. We all can
relate to some aspect of Hamilton regardless of race. It is as if Miranda is
trying to convey to the audience that Hamilton was a real person; he is not
just an abstract figure we read about in texts. Like many of us, he came from a
humble background and he wanted to succeed. He was an immigrant, a soldier, a
politician, an activist, a husband, and a father. We can all identify with some
part of Hamilton and his life.
By personalizing history and relating
it to a modern audience, Miranda is inviting everyone to partake in American
tradition. America is not just the history of white people. He is not denying the
dark past of slavery on America and the frequent attacks against immigrants;
rather, Miranda emphasizes the significance of immigrants in American history. Miranda
portrays the past through the “rebellious” music of today in order to capture
the importance of American history for all people. America was built and
founded by immigrants. By telling the story through hip-hop and rap as well as
having a multicultural cast, Miranda accentuates the parallels between the
revolutionary ideas of 1776 and the ongoing fight to extend those same
democratic principles to all people today. The same values that Hamilton tried
to uphold and instill are the same ones that people today fight for through
music, debate, and other forms of expression.
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